pressed on curacao coloured 180 gram triple vinyl.

new release for to pikap records by raj pannu, british producer, dj and long-time collaborator of electronic music pioneers coldcut (ninja tune).

anfang mai kündigt sich eine der spektakulärsten jazz-veröffentlichungen des jahres an: der 34-jährige jazzgigant und komponist kamasi washington veröffentlicht via brainfeeder / ninja tune sein albumdebüt »the epic«. episch ist diese veröffentlichung auf dem flying lotus label in allen belangen: ein 172-minütiges set, bestehend aus drei bänden inklusive 32-köpfigem orchester, einem 20-personen chor sowie washingtons langjährigen band-projekten the next step und west coast get down. kamasi washington arbeitete bereits mit künstlern wie lauryn hill, snoop dogg oder herbie hancock zusammen und gilt als einer der talentiertesten jazzmusiker mit weltweiter reputation.

early dj support : folamour, horse meat disco

king fu inspired beats from the master of the genre.

part 1 of 2, 2022 black vinyl repress, b stock, cover not mint - vinyl uneffected

welcome to retropolis!

die 300 vinyl-exemplare werden mit aufklebern im obi-strip-stil und handgeprägten weißen etiketten geliefert.

vol. 2! pressed on 140 g vinyl

the debut album from turkish trio lalalar on double vinyl.

lxury back on lost palms with his debut longplayer.

90s flavoured jungle tracks

part 1 of 2, 2022 black vinyl repress

pink coloured vinyl, limited to 200

bongo joe bands, breaking moulds & borders, celebrating 5 years of unity

part 1 of 2

debut of natasha kitty katt

dub at its best. 180g! primary colours secondary series returns for 2021 with the ninja of the deep, the minimal, the dark, lurking in the shadows. with honour we present altone. altone has been on our radar for quite some time now, following his progress with releases on fellow dub labels etui, greyscale, hello strange, ranges, spclnch, apnea and cold tear. we were presented with these cuts of dub over a year ago, waiting for the right opportunity to release these weapons upon the world, a world ready for change, thought, progress and understanding. altone presents three cuts of pure deep dub. altone presents effuse, slight pain and grain. choosing the right person to do justice with a remix was a difficult process. we scoured the planet to find the right producer to compliment and do honor to the beautiful original that is effuse. a man no stranger to our family, we welcome upwellings for his debut on primary colours. upwellings remix takes the elements of the original and fuses them together with a hypnotic, low end driven masterpiece. a track for the early mornings, among the late night warriors. 2021 is the start of a new chapter and primary colours is pleased to be back presenting tunes of depth and feeling to the new world. expect more.

trippsy strikes again! following in the memories of our various artists label debut, this release is riddled with swift round-house kicks, heavy punches and killer ninja combos that will knock any raver into the 4th dimension. saddle up, for another tripnotic exploration into music via hypnohouse records!

third part of emerald’s essential memories compilation series.

limited repress! honest house joints to jam your needs! last year moscow based record shop wax ninja launched their own vinyl only label to reflect their vision of quality dance music. this time they continue with another imprint called suburbz which is dedicated to releasing a various artists compilations.

the debut album from dan kye aka vocalist jordan rakei (ninja tune) great deep house, that blends in soul, jazz and funk in a similar way to the recent moodymann output.

2020 reissue on coloured vinyl ! the final countdown hymn ! & ballad carrie !

first solo ep for mmmh! you might know him through his highly qualitative project loop exposure or from his past appearances on lumbago’s ninja tools series.. generally present alongside numerous artists or with his duo, now it’s time for him to leave the herd, to take his flight and live his own adventures. heroic sounds, complicated layers of driving rhythms, haunted stabs and acidic wizardies are composing what is definitely the darkest side of mmmh.

neues album des new yorker instrumental-hip-hop-produzenten blockhead, ein wahrer master seines fachs, der in den letzten 15 jahren mit releases auf ninja tune, def jux und aesop rock glänzte. sein neues werk bubble bath ist ein kontrastreicher, kaleidoskopischer trip mit neu gewonnenem, kosmischen flow, der soul-psychedelia mit funky bässen und stolzierenden beats fusioniert

stunning us - acidic techno

after big success on ninja tune , here fresh on return to disorder

dibia$e returns with his signature 8-bit sound.

his latest outing follows a self-released 12” on his newly incepted imprint hundred flowers earlier this year, as well as singles on blip discs and ninja tune. with his new single he continues to evolve his signature style: the breezy sunspear swirls with a euphoric world music sample and heated percussive energy, whilst peaktime weapon b side tru dancing is a horn-infused disco-house gem. o’flynn says -i wanted to make something for the summer dancefloor that people could have fun to. it was about taking the sample and recontextualising it to make something more modern whilst keeping the original feel, adding additional percussion to up the energy.”

crossing boss avion delivers the label’s debut album with ten atmospheric techno cuts including a collaboration alongside ninja tune favourite emika.

this is amazing, don t sleep on it. 11 cuts of pure madness from prr! prr! gang

gold coloured double vinyl, housed in a deluxe gatefold sleeve, printed with stunning gold spot ink on reverse card. the records come housed in beautiful double sided printed inners pictured above. this package has been designed by lakeshore art director john bergin.

180 gram black double vinyl, housed in a deluxe gatefold sleeve, printed with stunning gold spot ink on reverse card. the records come housed in beautiful double sided printed inners pictured above. this package has been designed by lakeshore art director john bergin.

numa crew and killa s army join forces on this banger that will represent the first release of the brand new label numa recordings. the first release of numa recordings is all about a mediterranean and jamaican alliance, an explosive blend of grime and reggae vibes.&#8232, killa s army is a crew from london formed by killa p, irah and long range, one of the most powerful trios in the contemporary uk grime scene, their own original style is distinguished by a -heavy- jamaican dancehall & reggae influence. the italian collective numa crew has developed their unique sound over the years, ranging from dubstep to jungle, through a limitless exploration of the different styles in the wide spectrum of genres in the uk underground scene. in the production of -we nuh tek talk- lies the essence of this musical journey. the main theme of the tune is the legendary motive of courtney melody s ‘ninja mi ninja chorus, adapted to a modern day grime beat. backing the title track is the we nuh tek riddim version by numa crew, the beat and the bassline are simple and heavy at the same time. it will be fire in the dance

the german jazz quintet fazer releases the 12inch white sedan with two remixes by glenn astro & hodini (apollo, ninja tune, tartelet, money sex etc.) and werkha (tru thoughts). the band appeared on the map in march with their self-released debut album mara.

maribou state kündigen mit ihrem neuen album “kingdoms in colour”, das über das ninja tune-sublabel counter records erscheint, ihre erste platte seit ihrem debüt “portraits” aus 2015 an. maribou state, das 2011 als projekt von chris davids und liam ivory begann, haben eine reihe von eps und singles veröffentlicht, bevor ihr debütalbum “portraits” sie von jetzt auf gleich auf die größten bühnen dieser welt katapultierte. mit einer live-show, die sie mit herausragenden festivalauftritten bei u.a. glastonbury, bestival, der secret garden party oder mit einer 32-tägigen europatournee rund um den globus führte, spielten sich die zwei briten im handumdrehen in die herzen ihrer fans. und auch die journaille war sogleich begeistert, wie artikel im guardian, i-d magazine oder vogue zeigen. bis heute sammelte ihr album über 80 millionen streams und zog vergleiche mit acts wie the xx, james blake und mount kimbie aber auch dj koze oder bonobo nach sich. schwarzes 180 gramm vinyl plus downloadcode.

maribou state kündigen mit ihrem neuen album “kingdoms in colour”, das über das ninja tune-sublabel counter records erscheint, ihre erste platte seit ihrem debüt “portraits” aus 2015 an. maribou state, das 2011 als projekt von chris davids und liam ivory begann, haben eine reihe von eps und singles veröffentlicht, bevor ihr debütalbum “portraits” sie von jetzt auf gleich auf die größten bühnen dieser welt katapultierte. mit einer live-show, die sie mit herausragenden festivalauftritten bei u.a. glastonbury, bestival, der secret garden party oder mit einer 32-tägigen europatournee rund um den globus führte, spielten sich die zwei briten im handumdrehen in die herzen ihrer fans. und auch die journaille war sogleich begeistert, wie artikel im guardian, i-d magazine oder vogue zeigen. bis heute sammelte ihr album über 80 millionen streams und zog vergleiche mit acts wie the xx, james blake und mount kimbie aber auch dj koze oder bonobo nach sich. limitiertes türkisfarbenes 180 gramm vinyl plus downloadcode.

the final countdown is the third studio album by the swedish hard rock band europe, and one of the most glorious launches in history. released in 1986, the album was a huge commercial success selling over 3 million units in the united states alone, peaking at number 8 on the u.s. billboard 200 chart and reaching high positions in charts worldwide. pressing on 180 gram audiophile vinyl.

de:tuned proudly presents the return of one of the uk’s pioneering drum & bass producers, peshay. “reflections” is peshay’s first new drum & bass album in more than 10 years that looks back while pressing forward. jazzy and acoustic flavours combined with deep bass and rolling drums will have you grooving from the get go. it’s that classic fusion sound that peshay does so well, fully updated for present times and 100% future proof. the accompanying cover and label art was designed by openmind (aka strictly kev, dj food, ninja tune) and captures the warm and funky vibes perfectly. the tracks have been mastered by matt colton at alchemy mastering to ensure the highest playback quality. this album will be available as a triple 12” pressed on 180 gr vinyl. paul, it’s been an honour and a real pleasure working with you. stay tuned!

those who preordered, do not have to do so again - we will contact you when we have stock! recorded in the autumn of 2017 at their studio in vancouvers deep blue, mvx / u41a is the first new music from minimal violence to be released on ninja tunes technicolor imprint and the first to be recorded outside their usual home production space. the result is a record that intends to reduce pop music to its emotive qualities and apply that abstract nostalgia back into dance tracks. their penchant for the heavier and more aggressive side of dance music is most evident in its infiltration of the duo’s often raw and disorientating live set. formed in 2015 the duo, consisting of ashlee luk and lida p, have a string of releases to date with labels such as lobster theremin, 1080p and jungle gym records. drawing on luks years of experience playing in punk bands, they combine hardware sequencers, drum machines and synths, to weave together acid tinged compositions that derive inspiration from early electronic and minimal synth through to heavier uk rave and hardcore.

!k7 are pleased to announce forest swords as the next curator of the ever essential dj-kicks series. following acclaimed albums on ninja tune and tri angle, soundtrack and installation work, and remixes of the likes of bjork, matthew barnes aka forest swords has curated a 25-track compilation that draws a line between past inspirations and his current peers. like much of his own output, his dj-kicks skirts around pristine electronics and embraces more organic textures: 80s post punk (anna domino, dead can dance), classic 90s british electronica (orbital, mira calix), and smokey digi-dub (rhythm & sound), all rub up alongside some of the most forward-facing producers working today (demdike stare, laurel halo, fis). the compilation sifts through rhythms, shifting speeds and emotions: from pop icon neneh cherrys primal thudding to the zombified throb of exclusive forest swords track crow via deena abdelwaheeds clattering deconstructions to the euphoric two-step of djrum. its a collection of tracks that feels as restlessly curious and weighty as barnes own work. the double vinyl release includes a download code.

to say the past 2 years have been busy for peggy gou would perhaps be an understatement. prolific both in the studio and behind the decks, 2016 saw the release of no less than four eps across three labels. her two-part ‘art of war’ series on rekids was interspersed with a contribution to ‘phonica white’ series of 12”s.

standard doppelvinyl im gatefold sleeve inklusive mp3 downloadkarte.
der wahl-new-yorker chrome sparks veröffentlicht vielseitiges debütalbum auf counter records! chrome sparks (aka jeremy malvin) weiß, wie er seine tracks im besten licht stehen lässt. sein selbstbetiteltes debütalbum, das via counter records (ein ninja tune-sublabel) erscheint, sticht heraus mit einem funkelnden sound: eine euphonie aus hiphop, house und hell leuchtender arbeit am synthesizer. die platte ist das endergebnis jahrelanger arbeit in malvin’s marinewerft (seinem studio in brooklyn) und einer abgelegen hütte nördlich von new york. allein dort hat er einen ganzen monat allein zugebracht, um den ablenkungen der stadt zu entkommen und um diesen prozess zu destillieren, was anschließend zu einer periode intensiver kreativität wurde. auf dem album selbst finden sich zusammenarbeiten mit dem australischen duo kllo (ghostly) und body languages’ angelica bess (die auch bereits mit machinedrum kollaborierte). das album ist sowohl ergebnis eines obsessiven produktionsansatzes als auch über die rastlose jagd nach neuen ideen. sein kreative mentalität wurde sowohl durch live-auftritte als auch studiogegniedel geprägt. sie ist das grundgerüst, das es ihm erlaubte, so viele diffuse ideen wirklichkeit werden zu lassen, die schlussendlich in einem hervorstechenden und vielfältigen debütalbum resultieren.

the canadian producer has built an impressive discography in recent years with a stream of quality releases via labels such as clone s royal oak imprint, spring theory, lone s magicwire and most recently his -hope you re well- ep on ninja tune s technicolour imprint. pitchfork were quick to acknowledge his unique production style and innate ability to balance the openness and experimental qualities of the back room and the hooks and sonics of the main room describing previous single is it dry? as -a rarity: peak-time techno that won t rot your brain or insult your intelligence, with appeal from the basement to the big leagues-. following recent excursions channeling the big room sound, he returns with a sleeker, more refined ep. -for this record i pushed myself to keep things more minimal than usual, in a relative sense.- he explains. -focusing on repetition in melody, rhythm and harmony, putting a lot of trust in my initial ideas and letting them play out. it was harder to stop than to add more.- the resulting five tracks span upbeat opener napoletana - -a rough and ready duet between a mfb 522 drum machine and juno 106-, through the swirling improvised piano loops of last day - recorded in an hour just before he packed up his gear at the studio of fellow montreal residents braids and moved it all home, to the bumpy 2-step of less and less .